YAMAHA CLP-110 / CLP-115 / CLP-120 / CLP-130 / CLP-150 / CLP-170 / CLP-175
Specifications
Model | CLP-175 | CLP-170 | CLP-150 | CLP-130 | CLP-120 | CLP-110 |
---|---|---|---|---|---|---|
Release Year | 2003 | 2002 | ||||
Keyboard | 88 keys (A-1–C7) | |||||
Sound Source | AWMplugin-autotooltip__default plugin-autotooltip_big高级波形记忆技术 AWM(Advanced Wave Memory)是YAMAHA在20实际90年代之后逐渐开始主要使用的一种音源技术,其本质上是PCM采样技术。 Dynamic Stereo Sampling | AWMplugin-autotooltip__default plugin-autotooltip_big高级波形记忆技术 AWM(Advanced Wave Memory)是YAMAHA在20实际90年代之后逐渐开始主要使用的一种音源技术,其本质上是PCM采样技术。 Stereo Sampling |
||||
Polyphony | max. 128 voices | 64 Notes Max. | 32 Notes Max. | |||
Voice Selection | Panel preset for manual performance: 38 voices, XG voices: 480 voices + 12 drum kits | 14 × 2 variations for each voice | 14 | 10 | ||
Effect | Reverb, Chorus, Brilliance, Variation effect, Insertion effect × 3, iAFC | Reverb, Chorus, Brilliance, Variation effect, Insertion effect × 3 | Reverb, Effect, Brilliance | Reverb | ||
Controls | Dual, Split | Dual, Split, Metoronome, Transpose, Touch (Hard/Midium/Soft/Fixed), Functions, Speaker ON/OFF | Dual, Metoronome, Transpose, Touch (Hard/Midium/Soft/Fixed), Functions, Speaker ON/OFF | Dual, Metoronome, Transpose | ||
Display | LCD | - | ||||
Recording/Playback | 16-track recording/playback, tempo adjustment | 2-track recording/playback (3 user songs), Tempo Adjustment, Synchro Start | 2-track recording/playback (1 user songs), Tempo Adjustment, Synchro Start | - | ||
Disk Drive | 3.5-inch floppy diskdrive (2DD and 2HD compatible) | – | ||||
Pedal | Damper, Sostenuto, Soft | Damper | ||||
Demo Songs | 16 voice demo songs, 50 preset songs | 14 voice Demo Songs, 50 preset Songs | 10 voice Demo Songs, 50 preset Songs | |||
Jacks/Connectors | MIDI (IN/OUT/THRU), PHONES X2, AUX IN(L/L+R,R), AUX OUT(L/L+R,R), AUX OUT (LEVEL FIXED)(L,R), TO HOST, USB, AUX PEDAL | MIDI (IN/OUT/THRU), PHONES × 2, AUX IN, AUX OUT(L/L+R,R), AUX OUT (LEVEL FIXED)(L,R), TO HOST | MIDI (IN/OUT/THRU), PHONES × 2, DAMPER PEDAL | |||
Main Amplifiers | 60W × 2 + 20W × 2 | 60W × 2 | 40W × 2 | 20W × 2 | ||
Speakers | 16cm × 2, 10cm × 2, 3cm (DOME) × 2, 5cm × 2 | 16cm × 2, 10cm × 2, 3cm (DOME) × 2 | 16cm × 2, 5cm × 2 | 16cm × 2, 5cm × 2 | 16cm × 2 | Oval (12cm × 6cm) × 2 |
Dimensions (W × D × H) (CLP-175: Lid up, CLP170/150: with music rest) | 1435mm × 1147mm × 933mm [56-1/2“ × 45-1/8” × 36-3/4“] (1435mm × 1147mm × 1390mm [56-1/2” × 45-1/8“ × 54-7/16”]) | 1381mm × 513mm × 857mm [54-3/8“ × 20-3/16” × 33-3/4“] (1381mm × 513mm × 1026mm [54-3/8” × 20-3/16“ × 40-3/8”]) | 1381mm × 513mm × 853mm [54-3/8“ × 20-3/16” × 33-9/16“] (1381mm × 513mm × 1022mm [54-3/8” × 20-3/16“ × 40-1/4”]) | 1370mm × 518mm × 850mm [53 15/16“ × 20 3/8” × 33 7/16“] (1370mm × 518mm × 1020mm) [53 15/16” × 220 3/8“ × 40 1/8”] | 1370mm × 518mm × 850mm [53 15/16“ × 20 3/8” × 33 7/16“] (1370mm × 518mm × 1022mm) [53 15/16” × 220 3/8“ × 40 1/4”] | 1345mm × 426mm × 815mm [52-15/16“ × 16-3/4” × 32-7/8“] (1345mm × 426mm × 968mm) [53-15/16” × 16-3/4“ × 38-1/8”] |
Weight | 118kg, 260lbs., 2oz | 84kg, 185lbs., 3oz | 61.5kg, 135lbs., 9oz | 54kg (119lbs., 1oz) | 51kg (112lbs., 7oz) | 36kg (79lbs., 6oz) |
Accessories | Owner’s Manual, Reference Booklet, “50 Greats for the Piano” Score Collection, Recording Disk | Owner’s Manual, Reference Booklet, “50 Greats for the Piano” Score Collection | Owner’s Manual, “50 greats for the Piano” (Music Book), Bench (included or optional depending on locale) | Owner’s Manual, “50 greats for the Piano” (Music Book), Bench (included or optional depending on locale), Quick Operation Guide, Damper pedal |
Demos
CLP-110
The same as p-60.
CLP-120 / CLP-130
Note: Recorded from the CLP-130.
Voice Demo | 01-Grand Piano 1 (Consolation No.3) | |
---|---|---|
02-Grand Piano 2 | ||
03-E.Piano 1 | ||
04-E.Piano 2 | ||
05-Harpsichord (Gavotteplugin-autotooltip__default plugin-autotooltip_bigGavotte(Gossec加沃特舞曲) D调加沃特(Gossec加沃特舞曲)是由法国作曲家François-Joseph Gossec创作的一首乐曲,是歌剧罗西娜(Rosine, ou L'épouse abandonnée)的一部分。该曲目创作于1786年,是用于几年法国大革命的一部作品。) | ||
06-E.Clavichord | ||
07-Vibraphone | ||
08-Church Organ | ||
09-Jazz Organ | ||
10-Strings | ||
11-Choir | ||
12-Guitar | ||
13-Wood Bass | ||
14-E.Bass | ||
Piano Demo | 15-Stereo Piano (stereo sampling) | |
16-Mono Piano (mono sampling) | ||
17-mezzo piano (dynamic sampling, mezzopiano) | ||
18-mezzo forte (dynamic sampling, mezzoforte) | ||
19-forte (dynamic sampling, forte) | ||
20-with Sustain (with sustain sampling) | ||
21-no Sustain (without sustain sampling) | ||
22-with KeyOff (with key-off sampling) | ||
23-no KeyOff (without key-off sampling) |
Please refer to 50 Greats for the Piano for preset songs.
CLP-150 / CLP-170 / CLP-175
Voice Demo | 01-Grand Piano 1 (Consolation No.3) | |
---|---|---|
02-Grand Piano 2 | ||
03-E.Piano 1 | ||
04-E.Piano 2 | ||
05-Harpsichord (Gavotteplugin-autotooltip__default plugin-autotooltip_bigGavotte(Gossec加沃特舞曲) D调加沃特(Gossec加沃特舞曲)是由法国作曲家François-Joseph Gossec创作的一首乐曲,是歌剧罗西娜(Rosine, ou L'épouse abandonnée)的一部分。该曲目创作于1786年,是用于几年法国大革命的一部作品。) | ||
06-E.Clavichord | ||
07-Vibraphone | ||
08-Guitar | ||
09-Church Organ | ||
10-Jazz Organ | ||
11-Strings | ||
12-Choir | ||
13-Synth.Pad | ||
14-Wood Bass | ||
15-E.Bass | ||
16-XG | ||
Piano Demo | 17-Stereo Piano (stereo sampling) | |
18-Mono Piano (mono sampling) | ||
19-mezzo piano (dynamic sampling, mezzopiano) | ||
20-mezzo forte (dynamic sampling, mezzoforte) | ||
21-forte (dynamic sampling, forte) | ||
22-with Sustain (with sustain sampling) | ||
23-no Sustain (without sustain sampling) | ||
24-with KeyOff (with key-off sampling) | ||
25-no KeyOff (without key-off sampling) | ||
26-with StringRes (with string resonance) | ||
27-no StringRes (without string resonance) | ||
28-with iAFC SEE (iAFC spatial ensemble effect) | ||
29-with iAFC NSB (iAFC natural soundboard) | ||
30-with iAFC DDE (iAFC dynamic damper effect) | ||
Preset Songs | 31-Invention No. 1 | |
32-Invention No. 8 | ||
33-Gavotteplugin-autotooltip__default plugin-autotooltip_bigGavotte(Gossec加沃特舞曲) D调加沃特(Gossec加沃特舞曲)是由法国作曲家François-Joseph Gossec创作的一首乐曲,是歌剧罗西娜(Rosine, ou L'épouse abandonnée)的一部分。该曲目创作于1786年,是用于几年法国大革命的一部作品。 | ||
34-Prelude (Wohltemperierte Klavier No.1) | ||
35-Menuett G dur BWV.Anh.114 | ||
36-Le Coucou | ||
37-Piano Sonate No.15 K.545 1st mov. | ||
38-Turkish Marchplugin-autotooltip__default plugin-autotooltip_bigRondo Alla Turca (土耳其进行曲(莫扎特)) 《土耳其进行曲》,为奥地利音乐家莫扎特的A大调第十一号钢琴奏鸣曲(KV.331)的第三乐章,又称为 Alla Turca(土耳其风回旋曲)。于1781-1783年间在慕尼黑或维也纳所作。 | ||
39-Menuett G dur | ||
40-Little Serenade | ||
41-Perpetuum mobile | ||
42-Ecossaise | ||
43-Für Eliseplugin-autotooltip__default plugin-autotooltip_bigFür Elise (致爱丽丝) 贝多芬于1810年创作的一首钢琴小品。 曲目信息 使用该曲作为示范曲的键盘型号 songs:sort_by:artist:beethoven songs:sort_by:genre:classical songs:sort_by:region:germany songs:sort_by:instrument:piano songs:sort_by:year:1810s | ||
44-Marcia alla Turcaplugin-autotooltip__default plugin-autotooltip_bigMarcia Alla Turca (土耳其进行曲(贝多芬)) 《土耳其进行曲》是一首广为流传的古典进行曲。这首作品是1812年在布达佩斯首演的歌唱剧《雅典的废墟》(Op.113)中的一首曲子(No.4),降B大调。 | ||
45-Piano Sonate op.13 “Pathétique” 2nd mov. | ||
46-Piano Sonate op.27-2 “Mondschein” 1st mov. | ||
47-Piano Sonate op.49-2 1st mov. | ||
48-Impromptu op.90-2 | ||
49-Moments Musicaux op.94-3 | ||
50-Frühlingsliedplugin-autotooltip__default plugin-autotooltip_bigFrühlingslied / Song of Spring(春之歌) Frühlingslied(春之歌)是门德尔松(Felix Mendelssohn)第62号曲集《无言歌》(Lieder ohne Worte)中的第六首曲目,创作于1844年。 《无言歌》系列曲集共有八本,本曲收录于第五册中。其原本体裁为钢琴独奏曲,但也存在大量其他乐器的改编版本。这些曲集出版的年代,正值欧洲大众文化发展、钢琴开始流行。当时钢琴成为中产阶级家庭的标配,《无言歌》系列曲集由于曲目难易程度多样,成为当时很受欢迎的产品。… op.62-6 | ||
51-Jägerlied op.19b-3 | ||
52-Fantaisie-Impromptu | ||
53-Prelude op.28-15 “Raindrop” | ||
54-Etude op.10-5 “Black keys” | ||
55-Etude op.10-3 “Chanson de l’adieu” | ||
56-Etude op.10-12 “Revolutionary” | ||
57-Valse op.64-1“Petit chien” | ||
58-Valse op.64-2 | ||
59-Valse op.69-1 “L’adieu” | ||
60-Nocturne op.9-2 | ||
61-Träumereiplugin-autotooltip__default plugin-autotooltip_bigTRÄUMEREI(梦幻曲) TRÄUMEREI(梦幻曲)是一首浪漫主义钢琴作品,由舒曼(Robert Schumann)于1838年完成,是曲集《童年即景》(Kinderszenen Op.15)中的第七首作品,也是舒曼最具代表性的作品之一。 | ||
62-Fröhlicher Landmann | ||
63-La prière d’une Vierge | ||
64-Dolly’s Dreaming and Awakeningplugin-autotooltip__default plugin-autotooltip_bigDolly’s Dreaming and Awakening 洋娃娃之梦(德文名: Püppchens Träumen Und Erwachen, Op.202 No.4)是由德国作曲家Theodore (亦写作Theodor) Oesten(1813-1870)创作的一首钢琴作品,约创作于1862年。 该曲为'Kinderscenen' - Sechs leichte Clavierstücke ohne Oktavenspannung中的一部分,这是一部面向儿童演奏、没有八度的曲集。 | ||
65-Arabesque | ||
66-Pastorale | ||
67-La chevaleresque | ||
68-Liebesträume Nr.3 | ||
69-Blumenlied | ||
70-Barcarolle | ||
71-Melody in F | ||
72-Humoresque | ||
73-Tango (España) | ||
74-The Entertainerplugin-autotooltip__default plugin-autotooltip_bigThe Entertainer(杂耍艺人) The Entertainer(杂耍艺人)是一首拉格泰姆(Ragtime)风格的钢琴作品,由美国音乐家Scott Joplin创作,发行于1902年,是Scott Joplin众多拉格(Rag)作品中的一首,也是拉格泰姆音乐的代表性作品。 | ||
75-Maple Leaf Ragplugin-autotooltip__default plugin-autotooltip_bigMaple Leaf Rag(枫叶拉格) Maple Leaf Rag(枫叶拉格泰姆)是一首拉格泰姆(Ragtime)风格的钢琴作品,由美国音乐家Scott Joplin创作,发行于1899年。 该曲风格轻松、诙谐,经常作为各类喜剧、滑稽场面的配乐使用。 | ||
76-La Fille aux Cheveux de Linplugin-autotooltip__default plugin-autotooltip_bigLa Fille aux Cheveux de Lin(亚麻色头发的少女) :!: 该曲目不是日本歌曲《亜麻色の髪の乙女》。 La Fille aux Cheveux de Lin(亚麻色头发的少女)是法国作曲家德彪西(Claude Debussy)创作的一首钢琴作品,完成时间约为1909-1910年间。 | ||
77-Arabesque 1 | ||
78-Clair de lune | ||
79-Rêverie | ||
80-Cakewalk |
Manuals
CLP-110 Quick Operation Guide (English):点击查看 | Click to read
CLP-110 Owner's Manual (English):点击查看 | Click to read
CLP-120 / CLP-130 (English):点击查看 | Click to read
CLP-150 / CLP-170 Owner's Manual (English): 点击查看 | Click to read
CLP-150 / CLP-170 Reference Booklet (English): 点击查看 | Click to read
CLP-150 / CLP-170 Installation Guide (English): 点击查看 | Click to read
CLP-175 Owner's Manual (English): 点击查看 | Click to read
CLP-175 Reference Booklet (English): 点击查看 | Click to read
CLP-175 Installation Guide (English): 点击查看 | Click to read
Discussion